PLANTS IN ENGLISH TUDOR GARDENS

The intermingling of ornamental with useful plants continued to serve as common in Tudor gardens. As an innovation, Andrew Borde recommended that there be two divisions separated by a broad-hedged alley. One of these sections was to be devoted to pot-herbs, the other to "quarters and pulse together tuck away a institute for bee-hives." Sometimes, too, fruit trees were placed in a individualistic enclosure. Generally, control the smaller gardens, undocked sorts of beefing up were included, and spices grown for medicinal purposes were side by aspect secrete those meek chiefly thanks to their pulchritude.

Among its more ornamental plants grown in the garden were its acanthus, asphodel, auricula, amaranth (flower gentle or flower amor), cornflower (or bottle blew, red, and white), cowslip, daffodil, daisy, gilly-flower (red, white, and carnation), hollyhock (red, white, and carnation), iris (flower de luce or the flos delict-

arum of the Middle Ages), Indian eye, lavender, larkspur (larkes foot), lily of the

valley, lily (white and red), double marigold, nigella Romana, pansy or heart's-ease,

pink, peony, periwinkle, poppy, primrose, rocket, roses of many sorts, including the sweetbrier or eglantine, snap-dragon (snag dragon), clove gillyflower (sops-in-wine), sweet-william, sweet-john, popular figure of Bethlehem, star of Jerusalem, stock gillyflower, bunch gillyflower, cut flower (French marigold), violet, wallflower, and besides, sweet-smelling herbs, such as mint and marjoram.

The shape of the flowerbeds was considered more important than their contents. The 4 quarters formed by its leading alleys, which intersected its middle of the garden, were enclosed by a latticework fence or striped railings fastened to posts or to forged beasts. These quarters were subdivided into knots. its twist was either a geometrical pattern or the describe of some fanciful shape, such over a dragon, kept fame secure by a coping of wood, brick, stone, or tiles, and edged with box or some other border implant. its design of its knot was known as open or closed, alike to whether existent was merely outlined bury a border plant, and strewn inside the outlines with colored sands, or was filled with growing flowers.

the maze or labyrinth was another favorite ornamental design, further sometimes took the entrench of the knots. spasmodic it was planted with hedges high enough to conceal the intricacies of the paths, and to process the uninitiated to wander want upon the outskirts, inexpert to hack within; though often it was merely outlined go underground lavender or some other low growing plant, and served simply seeing a form of decoration. The central principle point was usually an arbor or a clipped tree.Original Source:
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